Ancient Skies of Northern Europe: Stars, Constellations, and the Moon in Nordic Mythology
Nordic mythology from 13th century Iceland contains descriptions that provide traditional depictions of the night sky, constellations, and the Moon. These were not only incorporated within the mythology but also formed the basis for their gods: Odin was a god whose eyes were the Sun and Moon, and Heimdall was a god of the Moon. Images that can be seen on the Moon’s face establish the proof of this: the image of two swans said to swim within the Well of Fate and the profile of a face said to have sliced into Heimdall, are both visible. Further to be seen are Mimir, Hiuki and Bil, Heiddraupnir’s skull and Moongarm. The mythology also contains reference to the twin stars Castor and Pollux, known as Thiassi’s Eyes, and Venus, known as Aurvandil’s Toe.
Article01-NightSky.pdf
The Nordic Otherworld: Interpreting the Tängvide and Ardre Stones
The Tängvide and Ardre memorial stones give us a pictorial glimpse of the Nordic Otherworld during the Scandinavian’s Viking Age. Often incorrectly interpreted in the past the stones show similar scenes of a fallen leader astride an eight-legged horse that may be either Odin’s horse or the horse of death. Also depicted are human sacrifices made at his funeral feast. Horse, mound, and sacrificed figures are being led by a winged spirit (possibly the leader’s fylgia). On the Ardre stone the area before the mound is taken up by a procession of his relatives, leading his horse to his new home, while the winged spirit is bringing along a suttee victim as well. The Tängvide stone depicts a popular image of the Otherworld: a woman greeting the fallen warrior with a full drinking horn.
Article02-Stones.pdf
Odin and his Brothers: Common Threads of the Odinic Tradition
Within the Poetic Edda Odin, Lodur (Loki) and Haenir are responsible for the creation of humanity in Nordic mythology. Odin can be seen in an early form as a god of the sky, Loki as a god of fire, and Haenir as a god of water. These gods of creation can be connected to Syrian myth in the case of Vili and Ve (Eilli and Ea) and to Indian myth in the case of Loki and Haenir (Agni and Soma). These associations are reinforced through parallels relating specifically to similarities of the myth of the mead of poetry with that of the soma in the case of the Indian and in the Baldric tradition in the case of the Syrian. There is some potential of establishing a latest possible date for the origin of the myth, as well as an original form of the myth, when common details are identified.
Article03-Odin.pdf
Brother Gods of Light and Darkness: Origins of the Baldr Myth
Baldr is a god of light and his adversary Hod is associated with darkness. Their story of fratricide is present in four forms in Northern Europe; however in only the Eddas is Loki made responsible for the deed, so his presence must be a late addition. The gods’ names are common throughout Europe and western Asia and down in the Middle East. The evidence points to an agricultural myth that arose during the Neolithic in Syria then moved into Europe as the knowledge of agriculture spread northward. Balder corresponds to the Syrian sky god Bel and Baldr’s wife Nanna is equivalent to the Syrian goddess Inanna, who’s descent into the underworld is similar to that of Baldr and also Idunn. Condensing it into a simple naturalistic explanation: the two brothers of Summer (Baldr) and Winter (Hod) fought over the Earth (Nanna) and Winter was always vanquished upon Summer’s return. The Norse myth of Baldr’s death may be a combination of two independent stories attested in Beowulf.
Article04-Baldr.pdf
Lady of the Elves: The Great Germanic Goddess
The prominent goddess of Europe was known in Germany as Berchta and Holda, who appear as goddesses of the bright and the gloomy. These pairings might be represented as Berchta and Holda, Frigg and Hel, and Freyia and Hyndla. The bright goddess arose as a goddess of the sun and sky and the gloomy one appeared as representative of the earth and underworld, but with Berchta and Holda they encompass both aspects and were largely interchangeable. She received the souls of the dead who rode along the path of the Milky Way in a wagon to the underworld. As ‘lady of the elves’ or ‘queen of the fairies’ the huldren, elves, and dwarfs, thought to be spirits of the dead, would appear with her on earth from time to time. The goddess held her position until the appearance of the sky god, which subsequently caused her to take on the role of an earth and fertility goddess. The necklace of Freyia may have initially arisen from either the view that vegetation was the clothing or girdle of the earth or as the rainbow.
Article05-Lady.pdf
The Lineage of Norse Mythology
Several traditions are represented in Norse mythology as recorded in the Eddas. The earliest were Bertha, Heimdall, and Lodur (Heimdallic tradition). Then there arrived the god of light Baldr and the god of darkness Hod from Syria (Baldric tradition). Nanna came with the Baldr myth, but the identical goddess Idunn had already made her way into another tradition. Next came the gods of the sky represented by Tyr (Tyrric tradition) and Thor (Thorric tradition). After this Odin (Odinic tradition) made his way into different regions, taking over for Tyr as the most important god. Then the trinity gods adapted though time into the Vanir Freyia, Frey and Od and as the Aesir Frigg, Fricco <Friggo> and Odin. Meanwhile in the north, the god Niord was introduced and became the father of Frey and Freyia. Then there was a final combination of the Aesir with the Vanir that is thought to have occurred during the Migration Age. The indigenous gods Forseti, Ull and Skadi lingered around, each adopted into one of the other traditions.
Article06-Traditions.pdf
Odin, the Well, and the Mead: The Theft of the Drink of the Gods
The two principle myths from the Odinic tradition are the Mead of Poetry and the Well of Mimir, which are also related to the theft of the soma from Indian mythology. The drink attained is one of inspiration encompassing immortality, poetry and wisdom. The basic elements being the creation of the liquid, its theft with the killing of its source, then going to a giant who is beheaded and the secret of the liquid is revealed. This is also associated with the explanation that the eagle brought this drink of the gods down to mankind. The basic purpose of the myth was to explain the Moon. In myth the round shape of the Moon is explained as being Odin’s eye; the phases are either a well, a bowl, or a drinking horn; while images on it are seen as Mimir with his drinking horn, Heiddraupnir’s Skull, or Dadhyanc’s horse head. The liquid revealed is a real intoxicating drink in the Indian tradition, while in the Nordic it appears only as a metaphor for inspiration, albeit a mead. At some point then this mythical drink was equated with intoxicating drinks.
Article07-Mimir.pdf
Reconstructing Rig: The Missing Page of Rigsthula
In the Norse poem “Rigsthula” Heimdall plays the role of progenitor of mankind’s three classes under the name of Rig. In Saxo Heimdall (Humbli) is the father of Dan and Angul, the first of the line of the Danes and Angles. In Snorri Rig is used as the name of a king who was father of Danp, Danp himself (the father of Dan), but Rig was also Dygvi the father of Dag. The basic intent of the poem establishes the line of descent of the Daglings. The account of Dag in Heimskringla thus might be used to continue the story of Kon in “Rigsthula”. The reference to Danp and Dan, the use of the name Rig, and an equivalence between King Dag in “Ynglinga Saga” and the figure of Kon, who both understand the language of birds, attest to their similarity. Dag is considered the first of the line of the Daglings: a Swedish line from Domar that became combined with that of the Danish king Danp.
Article08-Rig.pdf
Thor and Tyr: Revealing the Indo-European Sky God
The Norse god Thor is a god of thunder and Tyr is a god of the sky, yet both appear to be linked back to the original Indo-European sky god Tiwaz (who also led to the thunder gods Zeus and Jupiter and the Indian sky god Dyaus). Thor’s hammer and wagon relate to his role as god of thunderstorms, wherein he did battle with trolls and fought back the frost giants to drive back the winter. There is also an association between the thunder god and the elves, who were thought to reside within mountains, as was the wind. In this relation to the elves, Thor is also connected with the goddess Bertha through the giantess Grid (Brid/Brith) and the giantess Iarnsaxa. Tyr himself is the same as Dyaus, who was consort of Prithvi, a goddess also equivalent to Bertha. Tyr’s single hand may be a reference to the Sun as a shield, while his adversary, the dog Garm, may appear upon the Moon. The contest between the sky god and a serpent or wolf might imply some distant connection, but specific details that would link the gods together are otherwise lacking within the mythology.
Article09-Tyr.pdf